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Tim Burgess (of the Charlatans) Shares New Track “The Mall”

Having last month announced his new album I Love The New Sky that will be released on May 22nd via Bella Union and shared a brilliant video for “Empathy For The Devil”Tim Burgess today shares another little charmer of a video, this time for new single “The Mall”.Watch and listen HERE.
Of the track Burgess says: The mall is like a state of mind – everything and nothing is there. It induces a kind of torpor. Even the process of going between floors is assisted by moving staircases. Shop windows are hypnotic but you don’t have to take part in anything. Malls are a great leveller – class and status disappear. They are like a waking dream, an altered state. A kind of limbo. Plus they are handy if you need new shoes or a doughnut.”
Additionally, Burgess will play shows in New York City this week as part of New Colossus Festival.
How inspiring it is to hear Tim Burgess conjuring up exciting and life-affirming sounds as he, almost inconceivably, enters his fifth decade on public duty. Frontman, singer, label boss, DJ and author, he’s been instrumental in so many great records over the years, always bringing enthusiasm, positivity and diversity of influence, which altogether light the way for those who hold him dear. While in The Charlatans, Tim’s insatiable energy has been a consistent fuel for the band across thirteen high-charting albums, his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo release to date: I Love The New Sky. Released via Bella Union, it features wonderfully connective songs of everyday minutiae and universal experience, of love and anger, of loss and belonging, all united by elaborate yet natural arrangements and an effortless but deceptively expert way with melody.
I Love The New Sky differs from its predecessors in that all twelve tracks were self-penned. “In the past, I’ve written collaboratively,” says a characteristically, but rightfully, excited Burgess. “(2012’s) ‘Oh No I Love You’ was written with Lambchop’s Kurt Wagner in Nashville, and then ‘Same Language, Different Worlds’ was a collaboration with Peter Gordon who had worked extensively with Arthur Russell.” The twelve tunes of I Love The New Sky were authored, he says, “in Norfolk, in the middle of the countryside, with the nearest shop eight miles away. There are no distractions, and I guess that way things happen. I wrote everything on acoustic guitar, and the chords were really considered. The guitar lines would lead the melody, and the melody would inform the lyrics – just dreaming away with music.” So far, so Laurel Canyon, though I Love The New Sky would end up sounding anything but hippie/folkie, thanks to a connection Tim made while living in a warehouse space in gritty Seven Sisters in North London, before heading to Norfolk. “The Quietus had their office there,” he recalls. “I used to know pretty much all the stuff they were writing about, but then their album of the year for 2013 was ‘Glynnaestra’ by Grumbling Fur, and I really fell in love with it. I started talking to the band about working together. To cut a long story short I recorded a song with Grumbling Fur, they remixed two Charlatans tracks and a couple of Daniel O’Sullivan’s solo albums came out on my label.” As well as arranging and production duties on I Love The New Sky, O’Sullivan plays bass, drums and piano, from the bouncing chamber-pop chords of “Sweetheart Mercury” and the punchy chorus of “Empathy For The Devil”, through to “Comme D’Habitude’’s juxtaposition of blissfully rolling West Coast singer-songwriting and a complex Sparks-y Broadway-esque bridge, to the Velvets-y ramalama moves on “Warhol Me” and “Undertow’’s sombre balladry. The album was arranged and recorded quickly but not rushed: “Ideas happen fast, don’t they?” Tim reasons. The first sessions at Eve Studios in Stockport were with long-serving Charlatans engineer Jim Spencer. Tim, Daniel and Nik Void cut three tracks in two days, with Nik layering up modular synths in line with her previous day job in Factory Floor. A third keyboard maestro entered the picture when Thighpaulsandra, a maverick musician and producer, came into the frame, best known for his work for Julian Cope, Coil Spiritualized and Elizabeth Fraser. “I found out that he was based at ‘Rockfield’ [legendary residential facility near Monmouth, South Wales]. So I said, ‘Okay, that’s where we’re going to record the rest of it’.” As well as enlisting his know-how as an engineer, the cosmically-inclined Welshman also applied vintage synths and what Tim hazily calls “wizardry”. The results are nothing short of astounding. I Love The New Sky has landed somewhere between Paul McCartney’s RAM and Brian Eno’s Taking Tiger Mountain (By Strategy) and certainly that recipe covers both the all-pervasive tunefulness and high quality. Stylistically, though, it runs the widest gamut, from “Empathy For The Devil”s gospel style rockabilly skip, through to the sophisticated song-craft of “Sweetheart Mercury” and the Nilsson-esque “Sweet Old Sorry Me”, with the angst-y gravitas of “Undertow”, which Tim describes as “a mood-changer, influenced by 10cc.” Lyrically, this might almost be a defining collection from Burgess after thirty years honing his craft. There’s plenty of typical lightness of touch of “Only Took A Year”s joking reference to the album’s twelve-month gestation period, and the quip, “what’s your favorite Cure LP? I like ‘Pornography! But it could be any one of three.” “I Got This” has the line “the future is friendly”. Says Tim: “Everyone’s been going through a lot of tough times. And the future is uncertain. But you have to have that optimistic outlook – like, waking up in the morning and feeling that it’s gonna be a good day.” The final stages of the album’s year-long narrative arc were enacted at Jet Studio in Brussels, with the Echo Collective string section. Burgess looked on “mesmerised at what was happening to the songs, taking an even more magical turn.” With that icing on the cake, Tim is in no doubt that he has his finest solo record under his belt. He’ll be touring the album with a live ensemble featuring Daniel O’Sullivan, Thighpaulsandra, another O Genesis artiste called Keel Her, and renowned avant-jazz violinist Peter Broderick, who plays on ‘’Empathy…’ and will recreate the Echo Collective parts, too. So, the community will grow. Just like Tim says, “the future is friendly.”

LIVE DATES:

  1. 3/12/2020 – New York, NY – Pianos
  2. 3/13/2020 – New York, NY – Berlin
  3. 3/14/2020 – New York, NY – The Delancey
  4. 5/1/2020 – Newcastle, UK – Hit The North ‘Opening Party’ @ Think Tank
  5. 5/2/2020 – Leeds, UK – Live at Leeds
  6. 5/3/2020 – Liverpool, UK – Sound City
  7. 5/20/2020 – Nottingham, UK – Rough Trade
  8. 5/22/2020 – London, UK – Rough Trade East
  9. 5/24/2020 – Dartington, UK – Sea Change Festival
  10. 5/25/2020 – Bristol, UK – Rough Trade
  11. 5/27/2020 – Manchester, UK – Night & Day
  12. 6/6/2020 – Barcelona, ES – Primavera Sound
  13. 6/9/2020 – Nottingham, UK – Rescue Rooms
  14. 6/10/2020 – Kendal, UK – Brewery
  15. 6/12/2020 – Glasgow, UK – King Tut’s
  16. 6/14/2020 – Bristol, UK – Thekla
  17. 6/16/2020 – Cardiff, UK – Clwb Ifor Bach
  18. 6/17/2020 – Portsmouth, UK – Wedgewood Rooms
  19. 6/18/2020 – London, UK – Oslo
  20. 6/20/2020 – Manchester, UK – YES
  21. 7/26/2020 – North Yorkshire, UK – Deer Shed Festival

I Love The New Sky tracklist:

  1. 1. Empathy For The Devil
  2. 2. Sweetheart Mercury
  3. 3. Comme D’Habitude
  4. 4. Sweet Old Sorry Me
  5. 5. Warhol Me
  6. 6. Lucky Creatures
  7. 7. The Mall
  8. 8. Timothy
  9. 9. Only Took A Year
  10. 10. I Got This
  11. 11. Undertow
  12. 12. Laurie


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